The Bee Gees are some of the most disrespected, under-appreciated geniuses of pop culture and music. The creators of a sound that was so distinctive that even Michael Jackson borrowed it, the Bee Gees wrote close to a 1,000 songs for other acts, including Diana Ross, Barbara Streisand, Otis Redding, so on and so forth. So iconic were they, one of Al Green’s trademark songs, “How Do You Mend (A Broken Heart)” is actually a cover of their 1971 version.
Because this lack of knowledge is really reprehensible, I’m sharing one of my favorite songs, “Fanny Be Tender (With My Love)”. Have a listen, it’s really exquisite. You can read more about the song here.
So complex this song is, Maurice Gibb stated that while they all loved the song, it was hardly performed live, because of its intricacies. Honestly, this is one of the best love R&B songs ever written and performed. It’s one of the rare songs in which you can hear the range and depth of each Gibb’s voice; Maurice stuns with great harmony and Robin, long considered the best singer in the group, also shines with a surprising depth not normally seen in the fragile timber of his voice. It’s one of the few songs that Barry and Robin share lead vocals.
As to where this idea came from, last night on Twitter, where I frequently hold office hours, my timeline was full with love and admiration for the Bee Gees and a lack of understanding as to how deep and rich their catalogue is. And I get it; for those of us that came of age in the 90s and 00s, the disco era has been ridiculed so much that to actually like – forget about appreciate – the era, is almost a backhanded compliment of kitschy irony. I’m of the camp that the aesthetics of the 70s lead people to prematurely disregard the whole decade, which is both a mistake and a topic for another blog post.
The Bee Gees’ catalogue is deeply, incredibly amazing. And genius. Their songwriting and harmonizing skills are truly genius – there’s no other word or hyperbole for it – with no real peers of their peers. After all, Michael Jackson frequently cited them as his favorite band – which, if you listen to
Barry’s his falsetto and consider Off The Wall a disco record (as Michael himself did), isn’t hard to see at all.
Check the receipts. And take a closer and more thoughtful look into the Bee Gees’ catalogue.